Richard Kenyon

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Richard Kenyon

Richard KenyonRichard KenyonRichard Kenyon
  • Home
  • About
  • Soul In Bliss
  • FAQ's
  • Events
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  • Season 7

Frequently Asked Questions

Please reach us at hello@shakespeareactingcoach.com if you cannot find an answer to your question.




My approach centers on voice, breath, and clarity of thought rather than rigid performance techniques. Drawing on Linklater-based voice work, I help actors connect language to impulse—so Shakespeare becomes something you experience, not something you recite.



Not at all. Whether you're completely new or highly experienced, the work meets you where you are. Beginners gain confidence and understanding, while advanced actors deepen nuance and specificity.



You cannot “play” abstract emotions—you play actions rooted in human experience. Shakespeare’s language is not decorative; it is active, muscular, and deeply human. We focus on making the text immediate and personal.



Yes. The training is designed to:

  • Strengthen audition technique
  • Improve clarity and confidence with heightened text
  • Build a reliable, repeatable process for approaching classical roles



  • Breath-centered character development
  • Linklater voice work
  • Text analysis through action and intention
  • Exploration of rhythm, imagery, and rhetoric
  • Physical and vocal freedom exercises


Yes. Private sessions are available for:

  • Audition preparation
  • Role development
  • Voice and speech work
  • Ongoing professional training


Both options are available. Sessions can be conducted:

  • In-person (Los Angeles area)
  • Online via Zoom for international students


A session typically includes:

  1. Breath and voice work
  2. Text exploration
  3. Active performance exercises
  4. Individual feedback and adjustment

Each session is practical, exploratory, and tailored to the actor.



All of the above. I regularly work with:

  • Drama students
  • Emerging actors
  • Working professionals
  • Classical specialists



Actors often report:

  • Greater vocal freedom and power
  • Increased confidence with Shakespearean text
  • Clearer storytelling and intention
  • A deeper connection to language and character


It’s the guiding principle of my work:
Your individuality—your voice, your rhythm, your experience—is not an obstacle to Shakespeare. It is the key to unlocking it.


You can begin by:

  • Booking a private session
  • Enrolling in a workshop
  • Reaching out for a consultation to discuss your goals



Yes. Workshops can be tailored for:

  • Acting schools
  • Theatre companies
  • Reading groups and ensembles



Absolutely. The principles—breath, clarity, intention—apply to all acting, including contemporary text, film, and television work. If you can act Shakespeare, you can act anything!


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